FREDINEL BANAAG | STUDIO SOLUM
fusion of art into host architecture, built-form, or nature as an appendage installation.
STUDIO
SOLUM
artist img
I am Fredinel Banaag

architect, designer, artist
provoking in art, design, urbanism
and architecture



​I pursue art, architecture, sculpture and design as an unbounded realm through predicated speculation to bring out articulated images, forms, objects and spaces as defined by the experience of it and within it.
architecture • buit-form • nature • arrow
Over the years as an architect, in my built projects I have been preoccupied not only with the spatiality but also the "form-al" qualities of arhictecture. Hence, my current art exploration revolves around the "form-al" character of installation art.

Featured in
The A Priori and The Multi-Dimensional Design Process CPD Seminar
Provocative Pedagogical Approaches
Architecture + Urbanism in a New Era of Fear, Paranoia, and Post-Truth
The Authenticity Zero-Collective

Awards & Accomplishments
Master of Architecture, Royal Melbourne Institute of Technology, Melbourne, Australia
Post Grad Researcher, Fukui University, Japan
Fmr. Asst Dean, Mapua Institute of Technology AR-ID-BE
GSIS National Art Competition Awardee for Sculpture
DOST Balik Scientist 2021 Awardee
photo 1
on the education
In the field of architecture and design the students learn and acquire knowledge, skills, values and attitudes. These are basically inculcated within the social and academic environment and through the content and trajectory of the academic programs.

As architectural and design knowledge is continually expanding and evolving, education should also promote skills and attitudes for a flexible and independent life long learning process in order to probe into, analyze and evaluate new knowledge.

Architecture and design is a multi-disciplinary field of study encompassing the wide net of design, the socio-economic and cultural context, the environmental, legal and technological aspects, communication skills and professional studies and management; that draws upon and is informed by the other branches of knowledge – the arts, sciences, social sciences, philosophy, engineering and technology, etc.

Design studio can provide a setting where an independent creative, inventive, speculative and innovative endeavor within the multi-faceted aspects of architecture and design can be pursued and undertaken.

'Design as a process’ is an inherent predicate of 'design as a product’. Hence, students’ dexterity in creating drawings and models as design communication tools should be hinged and grounded on the analytical-critical, multitasking thinking processes.

As architecture and design is a multi-disciplinary integrated program, education should likewise promote collaborative work and participative process involving the various stakeholders and allied professionals.
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on the design process
'Design as a process' is the predicate of 'design as a product'. A more meaningful design is based on a priori design concept grounded on the abstraction (“abstrahere”) of certain ideas, insight, nuance etc. for the intended product/artifact even before the non-abstracting work of detailing starts. To abstract is to make something intelligible out of something sensible.

If 'design as a process' is a way to the mountain top the a priori design process establishes at the outset the mountain top and plots the possible roads into it. The a posteriori design process however, by a series of accruing steps finds the mountain top and realizes it only once it is there. What complicates the process is that there could be many equally valid mountain tops!



on spatial quality
The determinants of the quality of space are namely: the functionality, the comfort or ease of occupancy, the image or character, the atmosphere or the ambiance, the environmental aspects (sustainability, recyclability, etc.), the technical aspects (serviceability, accessibility, etc.), and the experiential, intellectual, emotional realms.

photo 3
on the intimacy in architecture and design
Intimacy in architecture is layered within the dimension of personal appreciation (or rejection) of an architectural space. The degree of closeness or familiarity may have been acquired through the customary or constant use of the space over time. The subjectivity of this closeness ultimately varies from individual to individual due to the uniqueness of each person. Nevertheless, there are architectural subtleties, which trigger almost the same or related effects to people of varied backgrounds or sensibilities. What is ugly is ugly (or uglier to some). It may not be probably awe inspiring to one - unless one possesses an abhorrent or discordant sensibility. Then, it is more of an exemption. Architecture defines the quality our lives, affects our attitudes and eventually affords certain behavior to happen so we may adapt to the environment. The built environment presents opportunities, which may be deliberately planned in a way that steps may invite sitting; or may lead to an unplanned effect where a passageway can cause people to recoil in it and, therefore, reject it.

Art, architecture, design, sculpture, etc. that is grounded on exploration and discovery continually fluctuates, beating here and there to blaze trail where new horizon may open up. Some veins that I have long before mined I re-discover and probe again into where the depths prod me on as newer expanse unfolds to the more primordial and more elemental- a grain of sand, a blade of grass, the impalpable span of all the breath, from all heights to all depths and the invisible sheen of exuberance, the birthing fire, core of infinities.